If you don’t like screaming guitars and lots of percussion, don’t go any further. Latin Soul, Jazz , Rock & Funk, a deft balance between percussive rhythms, instrumental passages and emotional (and romantic) singing in both Spanish and English. Carlos Santana has risen to superstardom with these ingredients. However, there are much more bands, who in the wake of the Chicano Power movement of the late sixties got inspired and started to playing this music. Obviously all over U.S.A. and Latin America, but also as far as the Netherlands (check out the Massada track).
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The Boogaloo Combo – Nappy Head (Epic 1972)
Eddie Benitez - Hey Girl (Vaya 1976)
El Chicano - Ron Con Con (Shadybrook 1976)
Toro – Ramona (Coco 1975)
Santana – Oye Como Va (Colombia 1970)
Seguida – Mambo Rock (Fania 1974)
Chango - Mira Pa’ca (ABC 1975)
Coke Escovedo – Te Amo Mas (Sound Triangle 1975)
Azteca – Azteca (Colombia 1972)
Sapo – Can’t Make It (Bell 1974)
Katunga - Bailando Despacito (RCA 1973)
Bwana – Motemba (Caytronics 1972)
Tierra – La Feria (20th Century 1974)
Antiques - Chauca (Sound Triangle? 1973)
Cesar 830 – Azucar (Flying Dutchman 1975)
Massada – Nena (Kendari 1978)
Malo – Oye Mamita (Warner Bros 1972)
Flash & The Dynamics – Electric Latin Soul (Tico 1971?)
Macondo – Cayuco (Atlantic 1972)
Black Sugar – Viajecito (Sono Radio 1970)
Harvey Averne - Cucara Macara (Heavy Duty 1971)
Starting off easy with
The Boogaloo Combo from Brazil, doing War´s
Nappy Head. Their 1972 album
Con Muito Ritmo also features a killer version of James Brown’s
Hot Pants Road. Guitarist
Eddie Benitez was born in Puerto Rico and raised in Europe, and at the age of 10 his family moved to New York City. Eddie started his musical career back in 1976 when he was signed to Fania/CBS Records at the age of 14. His first release NightLife soared the Latin and jazz charts and he became a West Coast Hero of Latin Rock.
Hey Girl was produced by Fania ‘s Louie Ramirez.
El Chicano was one of the biggest names on the scene, only second to Santana. This tune is from their later period on an independent label, their albums from the early seventies are also very enjoyable. New York based
Toro is next with
Ramona, produced by Harvey Averne, who returns with his own band later in the mix. Released in 1972 on Harvey’s Coco label. The Master himself
Santana kicks in next with a cover of Tito Puente’s
Oye Como Va. Always difficult to chose from such a vast volume of groovy recordings he made in the sixties and seventies.
Seguida were a 20 piece latin orchestra from New York, that stood out at the time for combining sythesizers and electric guitars alongside the traditional percussion and brass.
Mambo Rock is a serious dancefloor mover, produced by Fania’s Larry Harlow. One of the few latin rock acts on the Fania label, which normally was dominated by salsa. From U.S. East Coast comes the six-piece band
Chango. The God Chango is the representative of unbridled sexuality, and here they deliver
Mira Pa’Ca in rather West Coast way. After Azteca disbanded,
Thomas “Coke” Escovedo toured with Stevie Wonder and signed to Mercury for his formal solo debut:
Coke appealed to Latin, jazz and soul listeners. However, with disappointing sales, Escovedo rejoined Santana in the late 70s and played with Herbie Hancock during his disco-funk phase. The earlier mentioned
Azteca, was a large Latin Rock band (up to 25 people!), based in San Francisco and including former Santana percussionists such as the brothers Pete & Coke Escovedo (Sheila E. also belongs to the Escovedo family) and Victor Pantoja. The group also included the horn section of Tower of Power and Neil Schon (of Journey) on guitar. They released only two albums in the early seventies on Colombia before disbanding. Also from San Franciso,
Sapo, with Richard Bean on vocals, they enjoyed some chart success with
Can’t Make It.
Katunga hail from Argentina, but recorded most of their tunes in Peru.
Balando Despacio, recorded in 1973, is a fine example of South American fusion of funk and rock. Also from the South American continent are
Bwana, a mysterious six piece outfit from Colombia with an insane psychedelic Latin Afro-Funk-Rock sound; heavy keyboard grooves, moaning guitars, tribal vocals and conga madness throughout the album. Just as the song featured here,
Motemba, the album is filled with long break-filled tracks. Back to the Sunshine State, there
The Antiques from Miami, recording for the Sound Triangle label the edgy latin rocker
Chauca.
Tierra were one of a number of bands formed out of the growing Chicano movement in California. The group featured mainly a Latin-Rock sound, but funk is added in the stormer
La Feria. Bolivian pianist-bandleader Cesar Ascarrunz and his group recorded the terrific
Cesar 830 album for the Flying Dutchman label. With help of legendary jazz producer Teo Macero (who also did Miles Davis'
Bitches Brew and Dave Brubeck's
Take Five), he created an exceptional blend of Latino jazz rock fusion. Coming far from the typical Chicano environment,
Massada, are an Indo-Dutch band (who sing in English and Spanish!) with a heavy Latin Fusion sound. The tune
Nena is from their first and best album
Astaganaga, released in 1978 on Kendari.
Malo will always be known as the band of Carlos Santana’s brother Jorge, however, in the early seventies they released a series of quality albums, almost sounding fresher than Santana at that time.
Oye mamita comes from their second album, simply called
Dos, released in 1972. Back in the Big Apple,
Flash and the Dynamics, (aka The Sons of El Barrio) combine latin funk & soul and boogaloo with tripped out psychedelic guitars.
Electric Latin Soul is food for the brain, please listen to it.
Macondo, from Southern California, took their name came from the novel
100 Years of Solitude by Gabriel Garcia Marquez. Sergio Mendes discovered and produced their 1972 album. The featured tune,
Cayuco, again is a Tito Puente composition and you can hear again Victor Pantoja, former member of Santana and Azteca playing congas.
Black Sugar is a funky 9-piece Latin-rock band from Peru, released two albums (both with the famous Coco Lagos on percussion). Influences from groups like Tower of Power, Blood Sweat & Tears and Chicago mixed with latin funk flavor, here performing the epic
Viajecito. And finally, 70’s latin funkrock frenzy from NY latin mastermind
Harvey Averne.
Cucara Macara holds lots of percussion, electric guitars and soulfull vocals, resulting in the tasty Nuyorican sound, arranged by Marty Sheller. That´s all folks……. Hasta la proxima.
Soundway has been one of our favourite labels, always uncovering hidden gems in dusty and hot places. The Colombia and Panama 1 & 2 compilations were done by Roberto Gyemant, and rank among my favourite re-issues of the last years. Roberto, or Beto, also made a nice little 40 min. mix of his stuff, now available for listening on the Soundway website. Includes tunes from the former mentioned collections, as well as other South American rarities.
The people from Soundway are finally back! As expected with another high quality compilation: Volume 2 showcases more of the unique tropical music created in Panama in the fertile decades of the 1960s and ’70s. The thin, tropical bridge that connects North and South America, Panama is home to three million culturally diverse people, and its’ music is a soulful blend of Latin American, Caribbean, European and Indigenous forms. From Calypso Funk to Típico Soul, from hard Descargas to rustic Cumbia-related styles, Panamanian musicians fearlessly combined and brilliantly executed styles that reflected their multi-cultural environment during a turbulent time in the young country’s history. This collection presents more of the golden age of Panamanian music and the music of the Combos Nacionales on rare recordings that have never been released outside the Isthmus until now. See here for their first Panama comp. Check also the Soundway blog here. For soundsamples go here.
Already available as we speak: Colombia! The Golden Age of Discos Fuentes – the Powerhouse of Colombian Music, 1960-1976. 
MANNY CORCHADO
INNERSOULS 
A whole bunch of real nice albums (late sixties/early seventies) on the famous Fania label are re-issued & remastered on cd. If you're into latin or funky exotic music in general you should check 'm!
Panama! Latin, Calypso & Funk on the Isthmus 1965-1975 (Soundway, 2006)
Brownout
Reverend Cleatus & The Soul Saviours
Ernie Hawks & the Soul IG's
Funky Nassau