LOVE AND DEATH

Strut link up with one of the true greats of Ghanaian music, Ebo Taylor, for his first internationally released new studio album in over 20 years.

Following the wartime big band highlife pioneers like E.T. Mensah, Taylor became a major figure in Ghanaian highlife during the 1950s and ’60s as highlife exploded. Cutting his teeth with leading big bands like Stargazers and Broadway Dance Band, Ebo Taylor quickly rose through the ranks and became a prolific composer and frontman. Taylor moved to London in 1962 to study. “I had the Black Star Highlife Band sponsored by the Ghanaian High Commission, mainly comprising music students. We tried to incorporate jazz into highlife and progressed through talking and through jam sessions, trying to develop our skills and ideas.”

Back in Ghana, Taylor became an in-house arranger and producer for labels like Essiebons, working with other leading Ghanaian stars including C.K. Mann and Pat Thomas. “I was paid to write for them and we made some great records. People were trying new things – I always loved C.K. Mann’s Funky Highlife. It was fresh.“ Through the mid-‘70s and into the ‘80s, Taylor then recorded a number of solo projects, exploring unique fusions and borrowing elements from traditional Ghanaian sounds, Fela’s Afrobeat, jazz, soul and funk. Tracks like "Heaven" now stand as among the best Ghanaian Afrobeat of the era.

Interest in Ebo Taylor’s music has grown in recent years with a series of Ghanaian compilations on Soundway Records and Analog Africa and an unexpected sample as Usher lifted a riff from "Heaven" for his hit with Ludacris, "She Don’t Know." A new Ebo Taylor album was a natural progression. “For new album, I wanted to advance the cause of Afrobeat music. Fela started it and we shouldn’t just abandon it. We should push it so it is a standard form of music.“ The result is a firing new set backed by Dutch band Afrobeat Academy and involves members of German analog funk combo Poets Of Rhythm. Tracks include new versions of Taylor classics "Victory" and "Love And Death" and a selection of new compositions including "Kwame," celebrating Ghana’s late, lamented leader Kwame Nkrumah.

Ebo Taylor's Love And Death will be released in CD / 2LP / digital formats. He will be touring with Afrobeat Academy beginning in December 2010.

Tracklist
1. NGA NGA
2. AFRICAN WOMAN
3. LOVE AND DEATH
4. VICTORY (Instrumental)
5. MIZIN
6. KWAME (Instrumental)
7. ABOREKYAIR ABA
8. OBRA

For more info, check out:

http://www.ebotaylor-loveanddeath.com/
http://www.strut-records.com/

Upcoming Soundway Releases: Ghana Special & Panama! 3

The mighty Soundway label just released a nice collection of sounds from Guadelupe & Martinique called Tumbélé! “Biguine, afro & latin sounds from the French Caribbean, 1963-74”, check the Tumbelele mix by compiler Hugo Mendez here. The label's been pretty active lately (personally I can't wait to see the next epsisode in the Colombia! series, which they have been promising us for a while now) and November is gonna bring us some more exotic goodies (text from the soundway site):
Ghana Special: Modern Highlife, Afro Sounds, Ghanaian Blues 1968 - 1981

Soundway Records step back into Africa with thirty-three original and previously un-reissued tracks from Ghana delivering a follow on of sorts from the hugely successful CD/LP Nigeria Special. Ghana Special comes as a double CD hardback case-bound book and 5LP vinyl box set. The CD features 44 pages of history, photographs and original record scans. Wow ..a 5lp box? This is serious. (release date november 16th)

Panama! 3: Calypso Panameno, Guajira Jazz & Cumbia Tropical on the Isthmus 1960-75

Volume 3 showcases more of the unique tropical music created in Panama in the fertile decades of the 1960s and ’70s. From bilingual calypsos to guajira jazz, from tropical guarachas to cumbia tamboreras, Panamanian musicians fearlessly combined and brilliantly executed styles that reflected their multicultural environment during a turbulent time in the young country’s history. This collection presents more of the golden age of Panamanian music and the music of the combos nacionales on rare recordings that have never been released outside the isthmus until now. (release date november 16th)

HIPLIFE TAKING OVER?

In 2008 Ghana’s youth is no longer dancing to "highlife," the music that was so popular back in the sixties and seventies, but to Hiplife, the local mix of Hip-Hop, Highlife, Reggae and Dancehall. Hiplife gained prominence about 10 years ago with Reggie Rockstone, who is known as the “Godfather of Hiplife” and was the first to rap in Twi, the most common language in Ghana. Hiplife is everywhere in Ghana now; it has developed into one of the most popular music styles in the country and has broadened into several sub-genres.

Out Here Records’ Georg Milz (also of the Munich-based Daladala Soundz sound system), compiled an excellent sampler, called: "Black Stars – Ghana’s Hiplife Generation," containing some of the most popular Hiplife artists. And you'd better believe us when we boldly state that anybody out there who enjoyed the "African Rebels" and "Lagos Stori Plenti" samplers should certainly check out this new release, or better yet: buy it instantly. Black Stars is a more than welcome supplement to said samplers, continuing the high standard, both musically as informationwise, all Out Here records display and on top of that: the music is kicking arse! Picture the mighty M.I.A. making an african album, add a bunch of fun and a complete own look on nowadays popular music and you'll get a slight idea of what HipLife sounds like. If this is to vague, which it probably is, but hey: I'm trying, go check out the samples on the OutHere Black Stars page or, if you're a Myspace user, link up at Ghana's Hiplife Generation It's worth it..