Showing posts with label Hiphop. Show all posts
Showing posts with label Hiphop. Show all posts

September 23, 2011

SOUNDHEALERS




A 14 track compilation featuring laid back hiphop productions, compiled by UK producer Bambooman, has just been released on the net. Bambooman's aim was to shed a light on some of the worlds finest up and coming electronic beat producers, and according to Lock it Down he passed the test with flying colors. 

Apart from John Phonics  and the compiler himself, I haven't heard of any of these producers before, making it all the more impressive that the overall sound of the compilation is very coherent. The ambient vibes and chilled out beats on SoundHealers bring back the days when Morr was king and the gordian knot of idm was loosened. Although getting fed up with that sound back in the day, this set of tracks sounds remarkably fresh. The main reason for that is, although the producers clearly take influence from their older peers, they've managed to timewarp it into the now. Taking as much from the old days as from current events such as dubstep and the LA beat scene, these soundhealers created a niche of their own. One I hope to hear more from in the near future.

Tracklist

1. Danaet-If I get Iced
2. Blank and Kytt-Same Old
3. S.Maharba-Nice to meet you
4. Crewdson-Metal and Wood
5. Bambooman-Drips 
6. Sina-One I Love
7. Soosh-Stay Ft. Sarah H 
8. Kashmere-Astro Crunch 
9. Option Command-Sunday Sausage 
0. Zack Christ-Fox Prawns 
1. Deft-Last Night 
2. Jabu-Can't See 
3. Jon Phonics - 5 stax Max 
4. Roof Light- Shut in a box
5. Grouphums-Words 

Download (free): http://soundhealers.bandcamp.com/album/sound-healers-vol-1




June 26, 2011

COLD SWEAT - LIONS & CUCUMBER

If you're into sexploitation, funk, hiphop, glitch, beats and a bit of dubstep be sure to check out these lions and cucumbers by Cold Sweat. Enjoy your trip!

March 22, 2008

HIPLIFE TAKING OVER?








In 2008 Ghana’s youth is no longer dancing to "highlife," the music that was so popular back in the sixties and seventies, but to Hiplife, the local mix of Hip-Hop, Highlife, Reggae and Dancehall. Hiplife gained prominence about 10 years ago with Reggie Rockstone, who is known as the “Godfather of Hiplife” and was the first to rap in Twi, the most common language in Ghana. Hiplife is everywhere in Ghana now; it has developed into one of the most popular music styles in the country and has broadened into several sub-genres.

Out Here Records’ Georg Milz (also of the Munich-based Daladala Soundz sound system), compiled an excellent sampler, called: "Black Stars – Ghana’s Hiplife Generation," containing some of the most popular Hiplife artists. And you'd better believe us when we boldly state that anybody out there who enjoyed the "African Rebels" and "Lagos Stori Plenti" samplers should certainly check out this new release, or better yet: buy it instantly. Black Stars is a more than welcome supplement to said samplers, continuing the high standard, both musically as informationwise, all Out Here records display and on top of that: the music is kicking arse! Picture the mighty M.I.A. making an african album, add a bunch of fun and a complete own look on nowadays popular music and you'll get a slight idea of what HipLife sounds like. If this is to vague, which it probably is, but hey: I'm trying, go check out the samples on the OutHere Black Stars page or, if you're a Myspace user, link up at Ghana's Hiplife Generation It's worth it..

March 21, 2008

NNEKA NO LONGER AT EASE

Originally scheduled for release in january 2008, the new and eagerly awaited second outing of souldiva Nnneka got postponed and postponed, but it finally seems to be finished: The album "No longer at ease" will be unleashed on the 25th of april on YoMama records.

Prior to the forthcoming album, the new single "Heartbeat" will be released as well, showcasing Nneka going further down the musical road she has succesfuly been trodding. Heartbeat is quite an impressive single: Nneka's performance is stumbling and frankly, spoiled as we are, we wouldn't settle for less. The hectic drumming gives the song its heartbeat and works perfectly together with the songlines. I've seen Nneka on stage quite a few times and it seems that she succeeded to haul the energy she and her band display on stage into the studio and on tape. If this is what the album is going to sound like, I take it that fans around the world will not be dissapointed. Bring it on, Nneka!



Go catch her live on stage whenever she in the hood!

January 25, 2008

BRENKY GOES TO HOLLYWOOD










And yet another fine example of instrumental hiphop is about to hit the streets. Beatmaker Brenk, hailing from Vienna, will release his debutalbum "Brenk Gumbo" on the 22nd of februari and according to the snippets that were sent to Lock it Down, it's going to be a good one! Picture the mighty Modeselektor (in a hiphop mood) in the studio with Wax Tailor and you've got a general idea what this Brenk character sounds like. R 'n B, funk and hiphop gently merge into a very nice, fat, loungy yet uplifting blend. What makes Brenk different than other instrumental hiphop artists that we wrote about (i.e: Wax Tailor, Guts), is that he's a bit rougher than them. More hiphop. The sound on Brenk Gumbo almost makes you want to write lyrics to the songs, but for the sake of the musiclovers out there, I'll just keep mumbling those inside my head and leave it to the prof's.

Check Brenk on myspace.

July 20, 2007

D-ROK :: ORIGINALS vs REMAKES

While listening to hiphop, did you ever wonder where that massive intro/break/hook came from? Well, I do. Actually it happens to me all the time: while listening to reggae (lots of Impressions/Al Green/ Drifters/ Brook Benton and so on covers to be found here), dubstep (lots of contemporary roots reggae to be found here), instrumental hiphop ( example: Wax Tailor's new album starts with that great "museum dubplate" made by Nate Harrison about the "amen break") and the good thing is: it's all vice versa. For instance: while listening to reggae you might just find a superb soul version of it, if you dig hard enough. I guess what I'm trying to say is this: keep your ears open and you'll always find new and interesting music. And that's how I found D-Rok's "Break up mix" on a site called "t Nieuwe Werck."

"t Nieuwe Werck is a dutch website where all kinds of people drop their mixes. They've got quite a few online now, and it always makes for interesting listening, but D-Rok's mix is the one you should check out for sure. It's a nice mix of originals versus its hiphop remakes. Which reminds me to update that "reggae vs soul" mix i've been making for ages now...Well, for now, here is the tracklisting to D-Roks gem:

- Bobby Caldwell - Open Your Eyes
- Common - The Light
- James Brown - Blind Man Can See It
- Das Efx - They Want Efx
- Kool and the gang - N.T (Edit)
- Q-Tip - Breathe And Stop
- NWA - Express Yourself
- Charles Wright & The Watts 103rd Street Rhythm Band - Express Yourself
- The Trammps - Rubber Band
- Mary J Blidge - Hate It Or Love It (Remix)
- Clarence Wheeler & The Enforcers - Hey Jude
- Gang Starr - DWYCK (Instrumental)
- Herbie Hancock - Wiggle Waggle
- King Bee - Back by dope demand
- Big Daddy Kane - Warm It Up Kane
- Big John Hamilton - Big Bad John
- Betty Wright - Clean Up Woman
- Mary J Blidge - Real Love
- Leon Haywood - I Wan't To Do Something Freaky To You
- Dr.Dre - Nothin' but A G Thang
- Billy Paul - Let The Dollar Circulate
- Steve Spacek - Let The Dollar Circulate (Instrumental)
- The Emotions - Blind Alley
- Big Daddy Kane - Ain't No Half Steppin'
- Eric B and Rakim - I Know You Got Soul
- Bobby Bird - I Know You Got Soul
- All the people - Cramp Your Style
- KRS-One - Still # 1
- Slum Village - Selfish
- Aretha Franklin - Call Me
- Dynasty - Adventures In The Land Of Music
- Camp Lo - Luchini aka This Is Iy
- Special Ed - I Got It Made
- Ripple - I Don't Know What It Is But It Shore Is Funky
- John Klemmer - Free Soul
- Akinyele - Put It In My Mouth

Download D-Rok's Break up mix here
and be sure to visit 't Nieuwe Werck for more here

June 24, 2007

GUTS










New discovery! Being all into the new Wax Tailor, I totally overlooked this great piece of music. Fortunately, I got me a copy of Guts' forthcoming album (release date is 17 september 2007) "le Bienheureux" through his Dutch distributor who kept pushing it as "better than the latest Wax." Don't know if this is true, but magnificent it is! Guts is best described as being the funny leg in French hip hop: His photos are hilarious, as is his cover-art for his new album, but taking in the sheer quality of the songs it is clear that Guts is undoubtly taking his art serious. Using only "his vinyl an a MPC4000" Guts is cooking up some outstanding tracks that are a fine blend of Wax Tailor, Gorillaz, dj Shadow, Dangermouse, Tommy Guerrero and pinch of reggae, funk 'n soul. Lively and uplifting! The song "And the living is easy" will be featured as the first single. I'd say: hurry up with releasing that and Guts is bound to hit a big summerjam hit.

Pay Guts a visit: click

April 24, 2007

WAX TAILOR::HOPE & SORROW










Finally, after the superb "Tales of forgotten melodies", Wax Tailor hits the stores with a new album: "Hope & sorrow," albeit only in the US, Canada and France. That, however, makes sense since Wax is a big name in those countries and fairly unknown in other countries. Or is he? In Holland, where yours truly resides, he's got quite a big following these days and his new album will only seek to increase these numbers.

Although feeling a bit of dissapointment at first, "Hope & Sorrow" only seems to give way to its sheer beauty after a couple of rounds. Sure, the sound is familiar by now and that might very well be the main reason for the aforementioned dissapointment, but give it a good listen and mark the excellent production, the superb songwriting and the small details that tie the album together like glue. The main thing that makes "Hope & sorrow" a more than worthy succesor, though, is that it doesn't sound like an album made up by various artists: it's not crammed with ideas like its predecessor. Wax' newest is beautifully set up like a musical journey making it very worthwhile to listen to the album as a whole instead of skipping through highlights. Although that doesn't mean there aren't any on this one: "The Way We Lived" featuring Sharon Jones is simply superb and "The Tune" is a funk anthem in its own right.
Formost, this new album shows that the abilities of Wax Tailor as a songwriter and musician are te be taken into serious account: I believe his next one will be the true masterpiece we're all eagerly awaiting.

But untill then: get off on this one. It's good. Very, very good.

Info: Wax Tailor

January 10, 2007

NEW ARTIST OF THE MONTH









And yet again, we present a new artist of the month: This time it's Albert Joseph to take credit for fully blowing us away. These days, we at Lock it Down are very much into dubstep, so we keep searching the internet for new goodies. Fortunately for us mr. Joseph presented himself to us by asking for a myspace friendship and a quick listen on his site became a 45 minute session of scanning his music, wishing he'd add some more.

His music featured in the myspace player is dubstep in essence, but we figure this guy's coming from a hiphop background since a lot of his music in the other player on his site is based on exactly this. Less impressive, but still good enough. However, when he starts mixing things up he's reaching great hights! A bit of hiphop, a lot of dubstep and a touch of IDM makes mr Joseph sound different than the others around, which is not only a good thing but also quite an achievement by itself.

By far the most impressive new found artist on the web since months.

Check him out here

November 27, 2006

SSSSCRATCH!









One of my favourite records of all time is Brainfreeze, on which Dj Shadow and Cut Chemist show off their infamous skills by only using funk 7"s. The result is, how could it not be, a remarkable set that is both very well crafted as utterly enjoyable because of the selected tunes, which are often great, but hard to find funk 45's. This album combines the best of both worlds: a compilation great funk and some serious scratching skills that never fail to keep it within the flow.

This record already saw the light of day back in 1999 and a lot has happened since then. A whole heap of scratch records were released after Shadows 1996 record "Endtroducing". Some good, but most of them boring. What's the fun of a scratch record when the craft is produced so gently and smoothly you don't hear the difference between actual scratching and a sampler anymore? Though all of them are undoubtly made with true craftmanship, most of the records fail to make an impression on me since they all sound like downtempo, instrumental hip hop or triphop that are build up from small and mostly unrecognizable samples. I like it a bit rougher, like the Brainfreeze album on which you can hear more than a "bassdrum snippet" and find yourself baffled once you find out that you're listening to three tracks running simultaniously. Luckily, there are still artists around that do it "Lock it Down stylee". Here are the ones that impressed us most:

Zeph
Hailing from California. His solo album "Sunset Scavenger" is pretty good, but Zeph is even better when he links up with others. Must checkout albums are:

- Breakbuilders part 2: the next best thing after BrainFreeze. A serious contender, using discofunk and funk records that are more modern then the deepfunk Shadow and Cut Chemist use. The result is an amazing mix which makes it impossible to stay put. It sometimes sounds like early electro because of the focus on drums. Essential record.

- Hip Hop Bebop 2006
: made together with dj Mason of the mighty Haul & Mason duo, this album focusses on jazz entirely. The result is equally impressive as Breakbuilders, but with a total different feel to it. The focus is more hip hop and the album sounds like Guru's Jazzmataz albums at times, but is rougher in every way. The samples, to these ears, are pretty obscure, but can easily be found on the net with a little big of googling.

Mister Aul
Has it's base in France. We never heard of him before, but we were utmost impressed when he linked us on myspace. There are good tunes to be found on his myspace site, but you'd better check out his own website, which is full of goodies. Though trying to make "real songs" with his samples, Mister Aul also seems to enjoy the rough edge of which we stated the necessity above. Every track on his site is equally impressive.

Afrodisiac Soundsystem
ASS consists of Jed and DJ Haul, who also formed Afrodisiac Records. Their reissuing and remixing of some super rare West African funk tracks that Jed had brought back from a 5 month long record hunting expedition through Ghana, Ivory Coast, Guinea, Senegal, and Mali is splendid. They turn Fela into hiphop and hiphop into afrobeat, with just a flick of their wrist. Great album for afrobeat lovers with a wish to hear some obscure tracks and also great for those hiphoppers/early electro freaks that like to hear a different beat.

September 06, 2006

SUDDENLY, THEY CAME TO BREAKOUT!

Breakout, a funk combo hailing from Hannover Germany just released a heavy, heavy 7" on Melting Pot, the same label that also brought us the mighty Lefties Soul Connection.

Although the single sounds like it is recorded by a tight funk outfit, Breakout works a bit different: they transform old dusty records with the help of up to date technology, a bunch of musicians and the knowledge of modern music into something new. Quite a long route for a song to come together. Certainly when the result, in this case, is not far from the real deal: a heavy funk stomper which fits perfectly well with your original funk 45's. But you'll never hear Lock it Down complain about that, certainly not when a song is as good as this. It rocks!

Check the sound of Breakout here

June 05, 2006

AFRICAN MUSIC ON THE RISE part two

For those that liked the first part of African Music On The Rise: here are three more interesting artists. In the meantime we'll just keep on searching and who knows, maybe we'll present part 3 in the near future.

Prince Wadada
Prince Wadada, a reggae dancehall artist born in Angola but currently residing in Portugal, already shared the stage with musicians like Damian Marley, Gentleman, Patrice, Lee Perry & Apha Blondy. Adding to his career are participations with Germaican records and Digitaldubs Sound System. The basics rights of the people are the main focus of attention in his work. His discography already shows three albums recorded which are all sung in either Portugese or Angolian dialect.

We are deeply in love with: "Aldeia" (featuring Bezegol)
Check sound here

Zoro
Zolile Matikinca aka Zoro was born in the township of Guguletu outside Cape Town, South Africa. The apartheid regime labeled his adress Native Yard 9. Being the first-born son in a musical family, music came natural. At the age of six he started singing in choirs, but kept listening to his uncles banned reggae collection.
In 1989 Zoro was shot by a policeman, when he tried to stop the police from hitting a woman. This paralyzed him from the waist and down. Through determination and faith, a year later, he finally got the strength to leave the wheelchair and walk again. Through the nineties Zoro established himself as a major reggae voice in the Cape Province. Together with the Chronic Clan he created a trademark sound of conscious dancehall and R&B from his studio in Guguletu.

We are so into: "Azania"
Check sound here

Wagëblë
Wagëblë was formed in 1997 in Thiraroye, one of the most unfavourable suburbs in Dakar. The rappers Eyewitness, Waterflow and Begun met at various battles in Dakar and quickly understood that they had the same point of view on music, life and the problems Senegal was facing. The group managed to record one track for a senegalese compilation before Begun left the group in 2002, to persue a high school education in the United States. Back in Dakar, Eyewitness and Waterflow met up with Fred Russel, a norwegian talent scout looking for artists for potential projects. They decided to record an album together with norwegian producers Rumblin and Crizmo, resulting in their debut ”Wagëb’ Rap New Generation”, released in Senegal in 2003.
In December 2004, their follow up album was recorded in the house of Eyewitness, with equipment brought over from Norway. The record is dedicated to their motherland, Senegal, and is a snapshot of the daily life of the majority of it’s population.

We prefer the track "Senegal"
Check sound here

June 03, 2006

AFRICAN MUSIC ON THE RISE

After two great compilations on African music focussing on the nowadays vibes instead of looking back, both African Rebel as Lagos Stori Plenti were good for a very positive shout-out on this blog, we figured it's also time for Lock it Down to look ahead. So instead of reviewing an album already released, we now bring you an update of artists that should fit perfectly well on a future comp. Trust us, if these tracks were to be released on a compilation, it would be a killer. For the lazy ones amongst you: stop reading, because this topic involves a lot of forwarding, a lot of reading and a lot of listening. Cha, what else is new...

check 'em out:

Fafadi
Fafadi was born in June 1975 in Ziguinchor, a town in Senegal’s southern region of Casamance. At nine years old, Fafadi started singing with his family, who were inspired by the music of Toure Kunda, a traditional Senegalese musician also from Casamance. Added to this was the influence of Reggae from Gambia. These two music styles combined to create Fafadis unique musical style. From 2000 to 2004, Fafadi was featured on many albums including Toure Kunda, Bideew Bou Bess, Bibson, and Samuel Winchester, a Jamaican man based in Senegal. In Novemeber 2004, Fafadi released his first album, Vitamine A, which focused on the topics of love, peace and Allah.

We prefer the track "Siga."
check sound here

Ahlou Bi
Ahlou Bi is a hip-hop, dancehall duo founded by Sang B and Ras Narone, formed in 1993 in Pikine, a suburb of Dakar, Senegal. The focus of their message is on the injustices of discrimination, the power of God, and love for all humans. While the majority of youth in Senegal gravitate towards hip-hop music, African Akhlou B broke away from this trend to find a style that would stand out and spread their message. Dancehall reggae became their primary sound, but to it they added some real African flavours. A vibrant mix of singing and toasting.

We prefer the track "Drugsida."
check sound here

Meta & The corner stone
Meta, born in Senegal, reggae artist and also a very skilled hip hop artist, moved to the U. S. in the spring of 2000, residing in Detroit. Meta's powerful writing and his deep singing voice have gained him great respect and recognition both nationally and internationally. Meta speaks 7 languages fluently and has been very innovative in creating new ways of communicating by combining two or more languages together thus creating his own "patoie". When Meta first began performing on the streets and stages of Dakar, many people were very resistant to this style of music along with the political content of his lyrics. In the year 2000, when Meta released his 1st album, "Yalla Suuren" (God Bless) the government tried to ban the album release. Despite the opposition Meta succeeded. Meta since then has performed on many stages, along with numerous interviews for television shows, radio shows and newspaper media in Africa, France and the U.S.

We prefer the track "Struggle" (familiar riddim, ain't it?)
check sound here

Gokh-bi
Gokh-bi System, aka GBS A, was formated in 1994 with three members: Mamdou Ndiaye, Pape Bathie Pouye and Diasse Pouye, who all grew up in the same neighborhood, or to be more exact: practically in the same house. The original sound of the group was based on rap backed by synthetic beats. Two years later, the group fused a traditional sound with the rap through the music of the ekonting, played by Sana Ndiaye, and traditional drums, played by Backa Niang. Not long after, the group invited Abdou Sarr to bring an additional energy to the music through local dance styles. GBS has been performing internationally since 1999, in Senegal, Guinea, Gambia, and the United States. Currently, GBS is the most well known African hip-hop group in the United States, the result of 8 US tours in 22 states in five years.

We prefer the track "Unity Laobe"
check sound here

As Malick
As Malick El Hadji Malick Mbaye, aka As Malick, is a young artist who grew up in HLM de la Gueule Tapee. In 1993, As Malick started his first musical group, TMT, with neighbourhood friends in the suburb of Thiaroye/Pikine. Later in 1993 he joined another band in the same neighborhood called Gestu Gui. In 1998, As Malick decided to embark on a solo career. By the year 2000, he had joined up with two other R&B singers, Seydiman and Carlou D to form the group Ska Blue. It was working with Ska Blue that broadcast As Malick’s beautiful R&B and Reggae voice across Senegal. This recognition came without having a record on the market, but through being featured on numerous other artists’ albums. Many of the songs that featured As Malick were hit singles in Senegal. In 2003, As Malick recorded his first hit single entitled "Yaye Bagn." In 2004, As Malick released his long awaited first solo album: Benene Vibes.

We prefer the track "Number One"
check sound here

Wa Flash
A group of friends who share a passion for music, the members of Waflash live in a town called Thies, 60 miles east of Dakar.In 1988,Senegal experienced a crisis in which students went on strike to demand better materials for their studies. As a result, many students did not go to school that year. This became an opportunity for the members of Waflash to focus their attention on music. As a result, in 1990, Waflash completed their first recording. The music of Waflash is a mixture of African, European and Asian music styles that speaks to the themes of love, environment, women, and a united Africa.

We prefer the track "Linke Diyo"
check sound here

For now, we'll leave it at that. This list doesn't yet make up a complete compilation album, merely a good start, but hey: undiscovered artists are hard to find! Recommendations are, ofcourse, always welcome. In the meantime make sure you are on the lookout for tracks of Awadi (no website, no myspace, no record: but killer group!) who made a crucial appearance on the "roll back malaria" dvd.

April 19, 2006

R.I.P. FAZA NELLY

Sad news from Tanzania where Faza Nelly, one of the founding members of Tanzanian rap group X Plastaz, passed away. Nelly had been admitted to hospital with wounds inflicted by a knife that a psychotic neighbour had used to attack him. Doctors had hope of curing him, but the damage to his lungs proved too severe.

In his travel with the group he got to see different parts of the world such as Belgium, UK and Brazil. He was booked to perform in Gabon (West-central Africa) in early June, and a music video featuring him rapping on top of the holy mountain of the Maasai (the active volcano Ol Doinyo Lengai) was about to be released in Tanzania along with the new single 'Hiyo' which is also on the new Kunta Kinte Clothing mixtape (see the X Plastaz Myspace page for audio).

April 04, 2006

LAGOS STORI PLENTI

While we're still at home enjoying "African Rebel" as, without doubt, THE best reggae compilation cd to see the light of day this year, the busy Germanz of OutHere records went back to Africa to cook up a fine new release: Lagos Stori Plenti. A comp with the finest hip hop Nigeria has to offer today. An yet again, it's killing. From the get go, a great tribute to Eminem by Terry da Rapman (I'm a Nigerian, do you trust me?) to the very end, this is good music all over. Though sometimes sounding a bit TOO much like their American brothers, there are a lot of standout tracks which add to flavour by mixing hip hop with local music and thus creating a new, exciting and utmost danceable "afrobeat juju Hiphop" kinda thing.

check it out here

December 29, 2005

HAPPY NEW YEAR!

Yup, it's that time of the year again: time to make up a list of "best of's." A horrible task indeed, because it's never complete, it always lacks a few greats after publishing, it's bound to give credit to those who don't deserve it (that much) because of aforementioned reason and it's always narrowed down to a "top ten" or even a "top five" on most accounts. But here at LOCK IT DOWN we take things easy...we don't bother, we just want to give full attention to those who deserve or need it and we will take up to 20 posts to do so if needed. So here it is...my first attempt to list all worthwile tunes, reissues, albums or riddims of 2005...

ALBUMS


Bantu featuring Ayuba - Fuji Satisfaction
well, you read it before on this blog....this is a killer record featuring afrobeat, dancehall, hiphop, juju and more...KILLER!!!





Wax Tailor - Tales of the forgotten melodies
Forgotten melodies? yes that might be just the case here..DJ Shadow already did this kind'o stuff way back in '96, but Wax Tailor is a bit different. It sounds alike, but then again, it doesn't. This album's got that eerie vibe that can also be found on albums by french dubmasters High Tone. Now, mix that sound with a certain Tricky-like triphop flavour, or more specifically a Martina Topley Bird flavour, an up-to-date-but-refreshing hiphop sound, some real good juggling skills and a fine nose for samples and you'll get a slight idea of what I'm talking about here..

Modeselektor - Hello Mom!
Yes! Although made by one artist (a crazy German duo), this albums has got all the symptomes of a compilation. And a good one it is! It features all styles of music I like: beautifull electronica, deep 'n mellow dub (with Paul st.Hilaire/Tikiman on the mic), harsh but melodic techno and booty, BOOTY dancehall(featuring Sasha.) Modeselektor does it all, but never fails to provide the goods with quality. Quite impressive, indeed.

REISSUES


Various: Studio One Roots 2
Genuine masterpiece. Even better then volume one, which is quite an achievement by itself, this compilation is the ultimate roots rock reggae compilation that no one, and I mean no one, should miss out on. Don't boast that "you've already got all the tracks" because you don't. And even if you do, they will not sound like this, because this gem's got that great SoulJazz fat heavy bass sound that lacks the original 7"s..Reggae never sounded better. Got it? Go get it..

Various: Hit the Rhodes
Brown Sugar never fails to impress. Although I'm not too fond of late 70's funk, this label always succeeds in making me think otherwise. Instead of putting out releases stacked with all kinds of unreleased, very-hard-to-get-by stuff just for the sake of it, they release their albums with much devotion and a pure love for music. Even when that means including an evergreen. This one here is a highly recommendable, funky 'n disco-ish tribute to the Fender Rhodes organ, and that, my friend, I like! I don't like late 70's funk??? Hell, because of this compilation I just bought my first David Axelrod lp! And that is the true power of a good compilation.

Various: Soul Power, Funky Kingston 2
And even at the reissue-our-own-catalogue-over-and-over-again-factory Trojan they decided to put a little effort in it this year. And, sad but true, they should do it more often because they got the goods to back it up. This compilation of, mainly, English reggae goes funk is a true manifesto of groove! Every track on this double lp is right on the spot, and when it's done it still leaves you craving for more...MORE....MORE!!!

REGGAE RIDDIMS


In reggae, it's all about the riddim. Produce a good riddim, and you're bound to have a line-up of big artists waiting outside your studio, anxious to ride it. Here are my faves of 2005:

- WORLD A MUSIC: first a big hit for Ini Kamoze in the eighties (World a reggae), then a big hit for Damien Marley (Welcome to jamrock) riding the original riddim. But the first price goes to the Bad 2000/Maximum Sound crew for their heavier, faster and more brutal update of the riddim. Whooooha! Listen here

- PRESSURE AND SLIDE: A big hit for the Tennors in the rocksteady era (1967.) Lovely updated by the Down Sound Crew. Thanks to the big smash "Hungry" by upcoming superstar Fantan Mojah, it almost became THE anthem of 2005. Listen here

- TRUTHS AND RIGHTS: a big hit for Johnny Osbourne in 1981 on Studio One. In 2005 he hits again with an ultra heavy version by the Massive B crew. It's good, but the man who records faster than his shadow, takes the credit for the best cut: Chuck Fender (All about the weed) Listen here.

- HARD DRUGS: A big smash for Gregory Isaacs on the Taxi imprint, and now it re-appears as a HUGE one drop anthem by the Delperies crew. Listen to a combination drifter by Buju Banton and slick rick Anthony Cruz here

More to come, for sure! But first, why don't you share your list? we like to know!