Showing posts with label Africa. Show all posts
Showing posts with label Africa. Show all posts

October 07, 2009

MULATU ASTATKE RETROSPECTIVE













On the heels of his extremely successful Inspiration Information collaboration with The Heliocentrics, Mulatu Astatke teams up with Strut once again for the first complete overview of his career, including many rare sides which have never before been compiled for world wide release.

Vibraphone and keyboard player, master arranger and bandleader, Mulatu Astatkeis one of the all time greats of Ethiopian music, and the creator of his own original music form, Ethio jazz. Through the acclaimed Ethiopiques album series and through featuring on the soundtrack to the Jim Jarmusch film Broken Flowers, his music has belatedly reached a global audience and a new, younger generation of fans. Strut is now unleashing, for the first time anywhere, the definitive Mulatu career retrospective covering his landmark ‘60s and ‘70s recordings.

Mulatu is a true pioneer of African music. He was the first Ethiopian musician of his generation to travel extensively and to record abroad – he studied in the UK in Wales and at Trinity College Of Music in London, cutting his teeth on the buoyant London jazz scene of the early ‘60s. He became the first African student to attend Harvard and he lived and recorded in New York, developing a unique sound that fused Western jazz with traditional Ethiopian melodies. As Mulatu says, “it took a long time to get the balance, to let the colours and the feelings of the Ethiopian modes shine through.” Returning to "Swinging Addis" during the late ’60s, he became a pivotal figure, arranging for many of the country’s top vocalists and developing rich, dense textures in his own music during the final years of Selassie’s reign and the mid-‘70s rule of the Derg Communist military junta.

Tracing the progression of his Ethio jazz experiments with full access to all of the labels for whom he recorded, Mulatu Astatke: New York-Addis-London is the essential Mulatu. Covering his first recordings in the UK during 1965, his groundbreaking fusions for the small Worthy label in New York and his key ‘70s recordings back in Addis on Amha, Phillips and Axum, the album features comprehensive sleeve notes by Miles Cleret, boss of the excellent Soundway Records imprint, and rare, previously unseen photos from Mulatu’s personal archive.

Tracklist
1. ASIYO BELEMA (feat. Frank Holder)
2. MASCARAM SETABA (with Ethiopian Quintet)
3. I FARAM GAMI FARAM (with Ethiopian Quintet)
4. SOUL POWER (with Ethiopian Quintet)
5. GIRL FROM ADDIS ABABA (with Ethiopian Quintet)
6. SHAGU (Mulatu Astatke Quartet)
7. MULATU
8. DEWEL
9. NETSANET
10. YEKATIT
11. ENE ALANCHIE ALNOREM
12. YEGELLA TEZETA
13. YEKERMO SEW
14. TEZETA
15. EMNETE
16. YEKITIR TEZETA
17. LANCHI BIYE with Tilahoun Gessesse
18. FIKRATCHIN with Menelik Wossenatchew
19. EBO LALA with Seifu Yohannes
20. WUBIT with Muluken Melesse
21. KASALEFKUT HULU with Tilahoun Gessesse

September 25, 2009

New Daptone Afrobeat release: Pax Nicholas And The Nettey Family - Na Teef Know De Road of Teef (1973)


These are mighty times for lovers of funky Africa, as Daptone just released a lost afrobeat album by Fela Kuti's conga player and background singer. While playing and recording for Fela’s Africa 70 (he appeared on all of Fela’s releases between 1971 and 1978), Mr. Nicholas Addo-Nettey also always had his own thing going on the side. He released two solo LPs for the Tabansi Label with the Martin Brothers Band from Portharcort, Nigeria: Mind Your Own Business in 1971 and Na Teef Know The Road of Teef in 1973. The latter, made with Africa 70 musicians and singers, is heavy Afro-funk, recorded in Ginger Baker’s highly equipped Lagos studio, where many of Fela’s albums were recorded, as well. Obviously, Fela was not amused at all about these kinds of things, even less when he heard how strong the Na Teef… album was. Reportedly, he said, “Don’t you ever, EVER play it again!” And so it was. Despite being a killer record, Na Teef… remained undercover for more than 30 years. If you dig Fela, you are bound to love this stuff. This text & more info can be found @ the Daptone site.

August 10, 2009

Rumble in the Jungle: Soul Power documentary

One of my all-time favourite documentaries is When We Were Kings (1996), co-created by Leon Gast, telling the story about the The Rumble in The Jungle, the epic 1974 meeting between George Foreman and Muhammed Ali in the Central African country of Congo (formerly known as Zaire). Even if you don't like boxing, surely you will appreciate Ali's charisma. And not the mention the music festival, which accompagnied the boxing event. A small part of this legendary festival (coproduced by Hugh Masekela) is already featured in When We Were Kings. However, Leon Gast recently released his new pic, called Soul Power, this time focussing solely on the musical events during Rumble In The Jungle. Appearing artist include James Brown, BB King, Celia Cruz and the Fania All-stars, Bill Withers, The Spinners, Sister Sledge and African superstars Miriam Makeba, Manu Dibango, Franco and Tabu Ley Rochereau. An amazing line up, and amazing footage of an event in which afro-american performers returned to the motherland, and celebrating it with their gift for music. If you enjoyed Woodstock and Wattstax you gotta dig this! Be sure to check out the trailer of Soul Power. Earlier, Leon Gast already created three terrific pieces of musical cinema: Our Latin Thing, Salsa the Movie and Celia Cruz and the Fania All-Stars in Africa (all re-issued on dvd by Vampisoul, but sadly already out of print).

May 05, 2009

Afrofunk Junks Beware: Essential Releases Coming Up!

Recentley Academy Annex already treated us with the re-issue of the Nigerian highschool band Ofege, now 2 other afrofunk gems are coming up mid-late june.
SJOB Movement - A Move In The Right Direction
Extreme Afro-Funk-Rock rarity. Aside from a few scattered blog entries, we’ve never seen this one given the attention it deserves. One track from their second LP was included on Soundway’s Nigeria Disco Funk Special .
Mebusas Volume 1 - Blood Brothers
Yet another Nigerian rarity, this Mebusas LP gets its first ever reissue. Best known for their cut “Son of Mr Bulldog” which was made available on the Soundway's Afro Baby comp.
The Analog Africa label already provided us with several beautifull releases, their latest compilation African Scream Contest really hit the funky spot. The upcoming fifth collection focuses on Benin.
Various - Legends of Benin
Legens of Benin contains super rare and highly danceble masterpieces recorded between 1969 and 1981 by four legendary composers from Benin, Antoine Dougbe, El Rego, Honore Avolonto and Gnonnas Pedro, each one of them with their own distinct sound. The compilation comes with a 40 page full colour booklet with ultra rare pictures and biographies. Compiled by Samy Ben Redjeb, and of course all tracks fully licensed, release May 15th!
tracklist:
1. Dadje Von O Von Non - Gnonnas Pedro LISTEN HERE
2. Feeling You Got - El Rego et Ses Commandos
LISTEN HERE
3. Honton Soukpo Gnon - Antoine Dougbé
LISTEN HERE
4. E Nan Mian Nuku - El Rego et Ses Commandos
LISTEN HERE
5. Tin Lin Non - H. Avolonto & Orchestre Poly-Rythmo
LISTEN HERE
6. Okpo Videa Bassouo - Gnonnas Pedro et Ses Panchos
LISTEN HERE
7. Ya Mi Ton Gbo - A. Dougbe & Orch. Poly-Rythmo
LISTEN HERE
8. Nou Akuenon Hwlin Me Sin Koussio - Antoine Dougbé
LISTEN HERE
9. Djobime - El Rego et Ses Commandos
LISTEN HERE
10. Na Mi Do Gbé Hué Nu - Honoré Avolonto
LISTEN HERE
11. Vimado Wingnan - El Rego et Ses Commandos
LISTEN HERE
12. Dou Dagbé Wé - Honoré Avolonto & Black Santiago
LISTEN HERE
13. Kovito Gbe De Towe - Antoine Dougbé
LISTEN HERE
14. La Musica en Verité - Gnonnas Pedro
LISTEN HERE

April 04, 2009

Psychedelic Funky Afro-Rock from Nigeria: Ofege - Try and Love (1973)

Ofege's debut album from 1973 is now re-issued on cd & vinyl by Academy Annex, so go out and get your copy of this psychedelic afro-rock fest! You might have heard them already on Soundway's Nigeria Rock Special (with the tune Adieu from their second album), Nigeria's most famous student band in the first half of the seventies recorded two wonderfull albums, which both sold pretty well. Ofege (local slang for describing an act of defiance) recorded their debut when they were still in high school (aged 15-17) and the 5-piece band consisted of Melvin Ukachi (vocals), Paul Alade (bass & vocals), Felix Inneh (Guitar & vocals), Mlke Meme (drums & vocals) and Dapo Olumide (keyboard). The guitar tracks were dubbed in the studio by Berkley Jones, guitar player for psych afro-rock legend Blo (check out the Afrostrut release Blo: Phases 1972-1982) and production was done by Odion Iruoje. Sweet harmonies are combined with psychedelic guitars and afrobeat drumming, with Melvin Ukachi being the principle songwriter. I must admit that at first I didn't like the vocals too much, but after a few more spins, the record started to show his strength. And by now, the lamenting and youthfull voice of Melvin tends to hypnotize me. After Try and Love, the somewhat more polished sounding Last of Origins (synth was added in London) was released in 1975. Two more albums were recorded in the latter half of the seventies: Higher Plane Breeze (1977) and How Do You Feel (1978). Check their myspace for soundsamples.
Tracklist: Nobody Falls, Whizzy Llabo, Gbe mi Lo, Try and Love, It's Not Easy, Ofege, You Say No, Lead Me On.
P.S.
The Academy Annex label (based in a Brooklyn recordshop) is gonna release 2 more Nigerian gems this spring: SJOB Movements with A Move In The Right Direction and The Mebusas' Blood Brothers.

October 12, 2008

LES SANGANAS










Last week I was in for a nice surprise when my uncle called, telling me to come by and pick up his record collection. He didn't want anything in return for it, but I wasn't allowed to leave anything behind either. Obviously I didn't, which left me with an almost complete back catalogue of punk and new wave's finest. And while jiving to oldies but goodies like the Clash, the Jam, The Undertones and all them, I found a little pile of 7"s, tucked in between some records. One of them was by a group called "Les Sanganas," wrapped in a "not too promising" sleeve, you might know the kind: musicians in traditional clothing, masks, hats and drums all over the place...Very much like those terrible "world music" records that flooded the market in the mid 80's. Some further investigation of the sleeve learned that the two songs weren't recorded in some dusty studio in say..Lagos or Accra; nope, they were caught on disc in 1977 in a little studio in "funky" Breda, the Netherlands, by a producer named Tony Dirne (who recorded a lot of dutch groups in the 60's and 70's, some pop, some rock but most of them traditional dutch folk and easy listening.)

Yeah...I guess it's safe to say I wasn't expecting too much of this little gem when I finally put it on.
And then it blew me away...

Opener "Sibily Day" is nothing short of an afrobeat anthem pur sang, opening with- and superbly riding an ultra funky guitar riff, this song shreds all the way untill the very end. It's harbouring influences from blues, soul, funk, high life and gospel and it simply has got it all. It's more Orlando Julius than Fela Kuti, it's more proto type afrobeat if you'd like, but therefore more than welcome in my musical world. Fela was brilliant, but he's got way too many clones who simply copied his music without adding anything to it. Frankly: I'm tired of hearing the same song over and over and I just quit listening to newer afrobeat bands if their first few notes sounded anything like Fela. Orlando Julius was one the musicians that influenced Fela when he created his unique blend. Les Sangaras clearly were influenced by Orlando & Fela too, as they were also by James Brown and probably some others we never heard of, but this here, this is the kind of afrobeat I like hear. For all the reasons above.

B-side "Satata" follows the same formula as the A side, and it does so in the same effective way. It sounds like a traditional african folk song being funkified to the max. The whistle is silver, the break is golden, but I bet the song didn't make platinum at the time...

A search on the net didn't really give me any info about "Les Sanganas", unfortunately. Credits on the 7" are given to "Nganga, Joseph, Delvis" and "Nkeoua Ali M" but I couldn't find anything on them either. Too bad really...I guess I'm now the proud owner of a very obscure afrobeat treasure.

Well..here it is. Enjoy!

Sibily Day


Satata

December 07, 2007

COMING UP: NEW SOUNDWAY RELEASE











Although their own website doesn't mention this release yet, Soundway is about to release a 2 cd/4 lp set called:
Nigeria Special: Modern Highlife, Afro sounds & Nigerian Blues 1970-6

If the standard is as high as all the other Soundway releases, this might very well be the definitive collection on Nigerian funk. It sure looks promising! Amazon.com posted the setlist a while ago and added soundsamples as well. According to them, this is what Nigeria Special is going to look and sound like:

Disc 1:
1. Ayamma - The Anambra Beats
2. Okwukwe Na Nchekwube - Celestine Ukwu & His Philosophers National
3. Amalinja - The Don Isaac Ezekiel Combination
4. Akula Owu Onyeara - The Funkees
5. Oja Omoba - Dele Ojo & His Star Brothers Band
6. Koma Mosi - The Harbours Band
7. Nekwaha Semi Colon - The Semi Colon
8. Osalobua Rekpama - Sir Victor Uwaifo & His Melody Maestros
9. Onwu Ama Dike - St. Augustine & His Rovers Dance Band
10. Feso Jaiye - The Sahara All Stars Of Jos
11. Eme Kowa Iasa Ile Wa - Mono Mono
12. To Whom It May Concern - Tunji Oyelana & The Benders
13. Ugali - The Tony Benson Sextet

Disc 2:
1. Asiko Mi Ni - The Nigerian Police Force Band 'The Force 7'
2. Torri Wow - Godwin Ezike & the Ambassadors
3. Belema - Opotopo (Easy Kabaka Brown)
4. Alabeke - Dan Satch & His Atomic 8 Dance Band Of Aba
5. Arraino - Popular Cooper & His All Beats Band
6. Simini-Yaya - Collins Oke Elaiho & His Odoligie Nobles Dance Band
7. Buroda Mase - Bola Johnson & His Easy Life To pBeats
8. I Want a Break Thru - The Hykkers
9. Business Before Pleasure - George Akaeze & His Augmented Hits
10. Omo Yen Wu Mi - Shadow Abraham With Mono Mono Friends
11. Blak Sound - Leo Fadaka & the Heroes
12. Eguae Oba - Osayomore Joseph & the Creative 7
13. Akpaisong - Etubom Rex Williams & His Nigerian Artistes

Go have listen.

Release date: february 5th

Big One!

June 05, 2006

AFRICAN MUSIC ON THE RISE part two

For those that liked the first part of African Music On The Rise: here are three more interesting artists. In the meantime we'll just keep on searching and who knows, maybe we'll present part 3 in the near future.

Prince Wadada
Prince Wadada, a reggae dancehall artist born in Angola but currently residing in Portugal, already shared the stage with musicians like Damian Marley, Gentleman, Patrice, Lee Perry & Apha Blondy. Adding to his career are participations with Germaican records and Digitaldubs Sound System. The basics rights of the people are the main focus of attention in his work. His discography already shows three albums recorded which are all sung in either Portugese or Angolian dialect.

We are deeply in love with: "Aldeia" (featuring Bezegol)
Check sound here

Zoro
Zolile Matikinca aka Zoro was born in the township of Guguletu outside Cape Town, South Africa. The apartheid regime labeled his adress Native Yard 9. Being the first-born son in a musical family, music came natural. At the age of six he started singing in choirs, but kept listening to his uncles banned reggae collection.
In 1989 Zoro was shot by a policeman, when he tried to stop the police from hitting a woman. This paralyzed him from the waist and down. Through determination and faith, a year later, he finally got the strength to leave the wheelchair and walk again. Through the nineties Zoro established himself as a major reggae voice in the Cape Province. Together with the Chronic Clan he created a trademark sound of conscious dancehall and R&B from his studio in Guguletu.

We are so into: "Azania"
Check sound here

Wagëblë
Wagëblë was formed in 1997 in Thiraroye, one of the most unfavourable suburbs in Dakar. The rappers Eyewitness, Waterflow and Begun met at various battles in Dakar and quickly understood that they had the same point of view on music, life and the problems Senegal was facing. The group managed to record one track for a senegalese compilation before Begun left the group in 2002, to persue a high school education in the United States. Back in Dakar, Eyewitness and Waterflow met up with Fred Russel, a norwegian talent scout looking for artists for potential projects. They decided to record an album together with norwegian producers Rumblin and Crizmo, resulting in their debut ”Wagëb’ Rap New Generation”, released in Senegal in 2003.
In December 2004, their follow up album was recorded in the house of Eyewitness, with equipment brought over from Norway. The record is dedicated to their motherland, Senegal, and is a snapshot of the daily life of the majority of it’s population.

We prefer the track "Senegal"
Check sound here

June 03, 2006

AFRICAN MUSIC ON THE RISE

After two great compilations on African music focussing on the nowadays vibes instead of looking back, both African Rebel as Lagos Stori Plenti were good for a very positive shout-out on this blog, we figured it's also time for Lock it Down to look ahead. So instead of reviewing an album already released, we now bring you an update of artists that should fit perfectly well on a future comp. Trust us, if these tracks were to be released on a compilation, it would be a killer. For the lazy ones amongst you: stop reading, because this topic involves a lot of forwarding, a lot of reading and a lot of listening. Cha, what else is new...

check 'em out:

Fafadi
Fafadi was born in June 1975 in Ziguinchor, a town in Senegal’s southern region of Casamance. At nine years old, Fafadi started singing with his family, who were inspired by the music of Toure Kunda, a traditional Senegalese musician also from Casamance. Added to this was the influence of Reggae from Gambia. These two music styles combined to create Fafadis unique musical style. From 2000 to 2004, Fafadi was featured on many albums including Toure Kunda, Bideew Bou Bess, Bibson, and Samuel Winchester, a Jamaican man based in Senegal. In Novemeber 2004, Fafadi released his first album, Vitamine A, which focused on the topics of love, peace and Allah.

We prefer the track "Siga."
check sound here

Ahlou Bi
Ahlou Bi is a hip-hop, dancehall duo founded by Sang B and Ras Narone, formed in 1993 in Pikine, a suburb of Dakar, Senegal. The focus of their message is on the injustices of discrimination, the power of God, and love for all humans. While the majority of youth in Senegal gravitate towards hip-hop music, African Akhlou B broke away from this trend to find a style that would stand out and spread their message. Dancehall reggae became their primary sound, but to it they added some real African flavours. A vibrant mix of singing and toasting.

We prefer the track "Drugsida."
check sound here

Meta & The corner stone
Meta, born in Senegal, reggae artist and also a very skilled hip hop artist, moved to the U. S. in the spring of 2000, residing in Detroit. Meta's powerful writing and his deep singing voice have gained him great respect and recognition both nationally and internationally. Meta speaks 7 languages fluently and has been very innovative in creating new ways of communicating by combining two or more languages together thus creating his own "patoie". When Meta first began performing on the streets and stages of Dakar, many people were very resistant to this style of music along with the political content of his lyrics. In the year 2000, when Meta released his 1st album, "Yalla Suuren" (God Bless) the government tried to ban the album release. Despite the opposition Meta succeeded. Meta since then has performed on many stages, along with numerous interviews for television shows, radio shows and newspaper media in Africa, France and the U.S.

We prefer the track "Struggle" (familiar riddim, ain't it?)
check sound here

Gokh-bi
Gokh-bi System, aka GBS A, was formated in 1994 with three members: Mamdou Ndiaye, Pape Bathie Pouye and Diasse Pouye, who all grew up in the same neighborhood, or to be more exact: practically in the same house. The original sound of the group was based on rap backed by synthetic beats. Two years later, the group fused a traditional sound with the rap through the music of the ekonting, played by Sana Ndiaye, and traditional drums, played by Backa Niang. Not long after, the group invited Abdou Sarr to bring an additional energy to the music through local dance styles. GBS has been performing internationally since 1999, in Senegal, Guinea, Gambia, and the United States. Currently, GBS is the most well known African hip-hop group in the United States, the result of 8 US tours in 22 states in five years.

We prefer the track "Unity Laobe"
check sound here

As Malick
As Malick El Hadji Malick Mbaye, aka As Malick, is a young artist who grew up in HLM de la Gueule Tapee. In 1993, As Malick started his first musical group, TMT, with neighbourhood friends in the suburb of Thiaroye/Pikine. Later in 1993 he joined another band in the same neighborhood called Gestu Gui. In 1998, As Malick decided to embark on a solo career. By the year 2000, he had joined up with two other R&B singers, Seydiman and Carlou D to form the group Ska Blue. It was working with Ska Blue that broadcast As Malick’s beautiful R&B and Reggae voice across Senegal. This recognition came without having a record on the market, but through being featured on numerous other artists’ albums. Many of the songs that featured As Malick were hit singles in Senegal. In 2003, As Malick recorded his first hit single entitled "Yaye Bagn." In 2004, As Malick released his long awaited first solo album: Benene Vibes.

We prefer the track "Number One"
check sound here

Wa Flash
A group of friends who share a passion for music, the members of Waflash live in a town called Thies, 60 miles east of Dakar.In 1988,Senegal experienced a crisis in which students went on strike to demand better materials for their studies. As a result, many students did not go to school that year. This became an opportunity for the members of Waflash to focus their attention on music. As a result, in 1990, Waflash completed their first recording. The music of Waflash is a mixture of African, European and Asian music styles that speaks to the themes of love, environment, women, and a united Africa.

We prefer the track "Linke Diyo"
check sound here

For now, we'll leave it at that. This list doesn't yet make up a complete compilation album, merely a good start, but hey: undiscovered artists are hard to find! Recommendations are, ofcourse, always welcome. In the meantime make sure you are on the lookout for tracks of Awadi (no website, no myspace, no record: but killer group!) who made a crucial appearance on the "roll back malaria" dvd.

April 21, 2006

GINGER JOHNSON

"Flower power is at its peak in Haight Ashbury, the Rolling Stones are answering Sgt. Peppers Lonely Hearts Club Band with their own psychedlic masterpiece and Folonho ‘Ginger’ Johnson releases this long overlooked gem of funky African music in London.
Two years later at the famous Rolling Stones’ concert in Hyde Park, Ginger and his massed drum ensemble would make a memorable appearance on ‘Sympathy for the Devil’ but first would be African Party.

Ginger first came to the UK in the 50s and by the sixties was a cult fixture on the mod scene. His sound was one of complex African polyrhythms funked up guitar, flute and above all a jazz horn section. Remind you of anyone? Did Fela and Ginger meet, maybe even jam together? Who knows but one thing is for sure, this album represents an African response to Afro-American interest in African music from groups like Art Blakey’s Jazz Messengers, recorded in London at a time when everyone from Jimi Hendrix to Fela Kuti, Bob Marley to Gilberto Gil would be passing through (not to mention the homegrown talents).
The title suggests that it would have been marketed as a bit of a novelty record and Ginger’s association with bands like Edmundo Ross’ makes one suspect that this Nigerian drummer would do what it takes to get by but any thought of compromise in the music itself is swiftly countered by the ten tracks of ebullient, funky and percussion-heavy proto Afro beat.

Respect to Cyclone Releasing Corp. for unearthing this gem. Commiserations to the person who paid over $150 last year for an original copy."

Review by Damian Rafferty I couldn't have stated it better myself. Check out this awesome record, it won't let you down.

April 19, 2006

R.I.P. FAZA NELLY

Sad news from Tanzania where Faza Nelly, one of the founding members of Tanzanian rap group X Plastaz, passed away. Nelly had been admitted to hospital with wounds inflicted by a knife that a psychotic neighbour had used to attack him. Doctors had hope of curing him, but the damage to his lungs proved too severe.

In his travel with the group he got to see different parts of the world such as Belgium, UK and Brazil. He was booked to perform in Gabon (West-central Africa) in early June, and a music video featuring him rapping on top of the holy mountain of the Maasai (the active volcano Ol Doinyo Lengai) was about to be released in Tanzania along with the new single 'Hiyo' which is also on the new Kunta Kinte Clothing mixtape (see the X Plastaz Myspace page for audio).

April 04, 2006

LAGOS STORI PLENTI

While we're still at home enjoying "African Rebel" as, without doubt, THE best reggae compilation cd to see the light of day this year, the busy Germanz of OutHere records went back to Africa to cook up a fine new release: Lagos Stori Plenti. A comp with the finest hip hop Nigeria has to offer today. An yet again, it's killing. From the get go, a great tribute to Eminem by Terry da Rapman (I'm a Nigerian, do you trust me?) to the very end, this is good music all over. Though sometimes sounding a bit TOO much like their American brothers, there are a lot of standout tracks which add to flavour by mixing hip hop with local music and thus creating a new, exciting and utmost danceable "afrobeat juju Hiphop" kinda thing.

check it out here

December 29, 2005

HAPPY NEW YEAR!

Yup, it's that time of the year again: time to make up a list of "best of's." A horrible task indeed, because it's never complete, it always lacks a few greats after publishing, it's bound to give credit to those who don't deserve it (that much) because of aforementioned reason and it's always narrowed down to a "top ten" or even a "top five" on most accounts. But here at LOCK IT DOWN we take things easy...we don't bother, we just want to give full attention to those who deserve or need it and we will take up to 20 posts to do so if needed. So here it is...my first attempt to list all worthwile tunes, reissues, albums or riddims of 2005...

ALBUMS


Bantu featuring Ayuba - Fuji Satisfaction
well, you read it before on this blog....this is a killer record featuring afrobeat, dancehall, hiphop, juju and more...KILLER!!!





Wax Tailor - Tales of the forgotten melodies
Forgotten melodies? yes that might be just the case here..DJ Shadow already did this kind'o stuff way back in '96, but Wax Tailor is a bit different. It sounds alike, but then again, it doesn't. This album's got that eerie vibe that can also be found on albums by french dubmasters High Tone. Now, mix that sound with a certain Tricky-like triphop flavour, or more specifically a Martina Topley Bird flavour, an up-to-date-but-refreshing hiphop sound, some real good juggling skills and a fine nose for samples and you'll get a slight idea of what I'm talking about here..

Modeselektor - Hello Mom!
Yes! Although made by one artist (a crazy German duo), this albums has got all the symptomes of a compilation. And a good one it is! It features all styles of music I like: beautifull electronica, deep 'n mellow dub (with Paul st.Hilaire/Tikiman on the mic), harsh but melodic techno and booty, BOOTY dancehall(featuring Sasha.) Modeselektor does it all, but never fails to provide the goods with quality. Quite impressive, indeed.

REISSUES


Various: Studio One Roots 2
Genuine masterpiece. Even better then volume one, which is quite an achievement by itself, this compilation is the ultimate roots rock reggae compilation that no one, and I mean no one, should miss out on. Don't boast that "you've already got all the tracks" because you don't. And even if you do, they will not sound like this, because this gem's got that great SoulJazz fat heavy bass sound that lacks the original 7"s..Reggae never sounded better. Got it? Go get it..

Various: Hit the Rhodes
Brown Sugar never fails to impress. Although I'm not too fond of late 70's funk, this label always succeeds in making me think otherwise. Instead of putting out releases stacked with all kinds of unreleased, very-hard-to-get-by stuff just for the sake of it, they release their albums with much devotion and a pure love for music. Even when that means including an evergreen. This one here is a highly recommendable, funky 'n disco-ish tribute to the Fender Rhodes organ, and that, my friend, I like! I don't like late 70's funk??? Hell, because of this compilation I just bought my first David Axelrod lp! And that is the true power of a good compilation.

Various: Soul Power, Funky Kingston 2
And even at the reissue-our-own-catalogue-over-and-over-again-factory Trojan they decided to put a little effort in it this year. And, sad but true, they should do it more often because they got the goods to back it up. This compilation of, mainly, English reggae goes funk is a true manifesto of groove! Every track on this double lp is right on the spot, and when it's done it still leaves you craving for more...MORE....MORE!!!

REGGAE RIDDIMS


In reggae, it's all about the riddim. Produce a good riddim, and you're bound to have a line-up of big artists waiting outside your studio, anxious to ride it. Here are my faves of 2005:

- WORLD A MUSIC: first a big hit for Ini Kamoze in the eighties (World a reggae), then a big hit for Damien Marley (Welcome to jamrock) riding the original riddim. But the first price goes to the Bad 2000/Maximum Sound crew for their heavier, faster and more brutal update of the riddim. Whooooha! Listen here

- PRESSURE AND SLIDE: A big hit for the Tennors in the rocksteady era (1967.) Lovely updated by the Down Sound Crew. Thanks to the big smash "Hungry" by upcoming superstar Fantan Mojah, it almost became THE anthem of 2005. Listen here

- TRUTHS AND RIGHTS: a big hit for Johnny Osbourne in 1981 on Studio One. In 2005 he hits again with an ultra heavy version by the Massive B crew. It's good, but the man who records faster than his shadow, takes the credit for the best cut: Chuck Fender (All about the weed) Listen here.

- HARD DRUGS: A big smash for Gregory Isaacs on the Taxi imprint, and now it re-appears as a HUGE one drop anthem by the Delperies crew. Listen to a combination drifter by Buju Banton and slick rick Anthony Cruz here

More to come, for sure! But first, why don't you share your list? we like to know!

November 06, 2005

IT'S A COMMUNITY!

Check this community of afrobeat related bands from the US:
AFRO BEAT DOWN
. Lots and lots of mp3's, news, bands, photos's, lyrics and more. And....yes...lots of Fela clones as well..Still worth checking out though! go!

November 02, 2005

SOUNDWAY = THE WAY

The Soundway label is an up and coming, promising and up 'till now never failing, new record label based in Brighton, UK, with a mission to "release underground tropical dance music with a funky flavour. With a philosophy of quality not quantity."

To be honest, I never considered myself being a huge fan of "tropical dance music" or whatever that might be, because, to me, the term reflects a "Look at me, I'm on holiday in a third world country, feeling very 'back to nature' and enjoying the 'local' music on a freaking hotel stage" kinda thing, which is often sadly displayed in any tourist scene in either Zimbabwe, Gambia, Senegal, Kenya or even in Amsterdam for that matter. But as it turned out, and I'm happy to admit it: I'm all wrong! "Tropical dance music" in a Soundway style seems to be nothing less then ultra-funky, heavily afrobeat based, maximum-swinging, top of the bill music from all over the world! And that, dear reader, we like!

At first they started treating us with compilations like:
Ghana Sounds volume 1, Ghana Sounds volume 2, and the Fela Kuti adepts fave Afro Baby:the Evolution of the Afro sound in Nigeria, 1970-1979. All fans of afro music we're drooling over these compilations because they consisted of very hard to get by, unreleased or just plain f*cking good songs. Also they unleashed two "best of" compilations for TP Orchestra Poly Rythmo and Orlando Julius, which are also very worthwile to pick up, indeed.

Their latest releases, however, are every record collector's wet dream. Soundway decided to treat us with impossible to find, superfunky, afrobeat gems on our favourite format: the 7" record! Check out these goodies:

Orchestre du Bawobab / The Don Isaac Ezekiel Combination

A double hitter.Both tracks show very different sides to the Afro Funk coin: the legendary Orchestre du Bawobab depart from their usual styles to deliver a pounding club mover: A chanted vocal on top of an ultra-heavy beat topped off with the sweetest of guitar lines (courtesy of Latfi Ben Geloune) makes this a crucial track unlike any other – best played loud! The Don Isaac Ezekiel Combination stretch out for a deep slice of funky Afro-Gospel. Preacher Man is very funky early Afro beat, with a steady groove and a call and response vocal. The sound of conscious Lagos in the early 70s.

Richard Stoute / Telstars

This split 7” offers two contrasting tracks from Barbados and Guyana respectively. For the A side, successful Bajan singer Richard Stoute gives us his tropical cover of the Ides of March 1970 stoner rock offering Vehicle. Foregoing the breezy platitudes of the original, here Stoute opts for the bass heavy thump of an insistent Calypso rhythm, cascading horn section and a vocal that comes off like a cross between Terry Callier and Jon Lucien at carnival time. On the B side, the mysterious Telstars of Guyana stay in the pocket for a deep funky soul excursion. Shades of N.T. era Kool and the Gang spiced up with a reggae feel in the horns give this offering an introspective yet unerringly funky edge, topped off with a plaintive vocal.

Victor Olaiya St Augustine

Two heavy funk tracks from Nigeria, both more obviously influenced by US funk and Rn’B, yet played by highlife musicians at the top of their game, giving a rootsy spin to the well known JB-esque formula. Known as ‘the evil genius of highlife’, Victor Olaiya was one of the biggest names in Highlife with a career spanning the 60s and 70s. This medley of Let Yourself Go and There Was a Time is taken from a 10” lp that mimicked the style of the legendary Live at the Apollo Volume 2 with a non stop onslaught of rough funk, incongruously interspersed with highlife numbers. To our ears one of the better cover versions of these tracks, the band lay down a bass heavy belter with ethereal horns and a great vocal, underpinned by drumming that would give Clyde Stubblefield a run for his money.

The Blue Rhythm Combo

More heavy grooves from the West Indies – this time with two tracks from the mighty Blue Rhythm Combo. Hailing from Barbados, the Blue Rhythm Combo were a successful and prolific group, playing a broad mixture of soul, calypso and funk throughout the 70s, all with a distinctive Island flavour. Although better known for their beefed up cover version of the classic rare groove Black Water Gold, Get Down is perhaps the group’s funkiest recording, incorporating frenetic drumming, a killer bassline, calypso horns and an authentic carnival whistle. Originally released on the cult Merrydisc label, it is now available to burn up dancefloors across the world. On the B side is BRC’s Groove - a deep instrumental workout from their ‘Megumba’ album, sounding like a tropical meeting of the Meters and Funk Inc, replete with heavy drums and blazing horns – definitely not for the faint hearted.

Check out the Soundway website regularly for updates.

More info on afrobeat can be found on this excellent website:
Funky Funky Africa